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Jeff Martin - January 2008
- www.amplify.co.za
Krakatoa and Friends – Sitter,
Driverlane and His Dying Wish
I very much like the band His Dying Wish try to be. Their
particular style of music represents an interest in some sounds
which fall far outside the palette of the mainstream – or at
least most highly popular – bands in their genre. The keyboard
pieces with which the open some of their repertoire are
interesting and dark. What is hugely unfortunate so far, is that
the performance level just doesn’t match the ambition of what I
believe could be a great band. To start with, vocals were
unfortunately lacking in the fundamentals – pitch and sustain
were just too inconsistent to be called a good performance. It’s
not that frontman/singer Johan lacks the ability or range to
reach the ambitious vocals he seeks, it’s just that he doesn’t
hit them often enough to make the performance more than
amateurish. I obviously can’t judge whether or not there was
some special condition which made him unable to hear, or match,
the sound of his band, but it was clearly not on the level of
what one would hope for with a band of such compositional taste.
Lacking too (unfortunately) was the ability of guitarists Sean
and Chris to stay in tune – either with themselves or each
other. It is incredibly frustrating to hear a well constructed
chord pattern, or riff, end in discordant noise as the result of
out of tune instruments. There was an occasional feeling that
perhaps the songs had been “miswritten” or at least were being
played in the wrong place, given the sound between each of the
instruments. Even the bass was out at some points during the
evening, a feat which is not often seen amongst our generally
talented rhythm sections. That said, and it was certainly a
rough time, the band have an interesting take on the music they
play. Timing decisions and changes, rhythm choices, elements
from the piano and vocals that are beyond the “norm” make His
Dying Wish a band that I would be happy to see again, if only to
see if they ever manage to rise to the potential that I believe
they’re capable of.
Following up on the unsatisfying but tempting performance of
His Dying Wish was Driverlane a band I haven’t had the pleasure
of seeing often enough. Genuinely entertaining, as well as
combining a sort of wry, wary element into their presence on
stage, Driverlane delivered their set with a professionalism
that cannot be faulted. Radio-played songs such as Regular
Flavour are both a hit with the crowds and with those of us
listening for slip ups because they’re delivered with real
style. Not sufficiently different to stand out in any dramatic
way from the bands which occupy the same area in the Rock
spectrum, Driverlane performed without a hitch. The only worry
was that of vocalist Mark very occasionally missing a note,
which he most often corrected for immediately. This may well
have been caused by bad sound monitoring, and thus bad sound
engineering (which would apply for His Dying Wish too) but this
wasn’t evident in the balance of the sound, which, quite usually
for the Krakatoa gigs, was excellent.
Rounding up the evening was the ever buoyant Sitter, about
whom a great deal has been written on this site. The unfortunate
thing about seeing a good band so often is that it begins to get
lost on one how impressive it is to maintain a great performance
level all the time. Sitter are at the level now, where one bad
review, should they completely fluff it any point, would do very
little to diminish the reputation they’ve built up with the
public and critics alike, in doing what they do so well. I
reiterate that I would love to see them doing a wider variety of
music – if only to really test their mettle. It is always a
strange idea to stray away from the formula which satisfies
bandmembers and creates a following! Sitter is eminently good at
their blend of punk/rock and, deservedly, continues to enjoy
great popularity.
In conclusion, it must be said that the entire event was
enjoyable in most respects: Should His Dying Wish continue to
perform as was seen on this occasion, it is their fate to be
relegated to the amateurish, mediocre categories of backwater
music, I do sincerely hope, however, that they are able to raise
their game, through whatever means necessary, to make them the
band that their writing suggests them to be. As for Driverlane
and Sitter, it was a pleasure to see them, and I look forward to
doing so again.
Wicked Rock - May 2007
Had any other
band entitled their cd as dramatically as SITTER has, I would’ve
been apprehensive. But the emotional promise is fully collected
from This Masquerade Called Life which eclipses its fantastic
predecessor, Based On A True Story. SITTER is one of the most
infectious bands in Durban’s history because they pile the hooks
until your foot is sore from tapping. They get you singing and
then suddenly break rock ‘n roll down until it’s almost ballad
before catapulting you into a chorus that’s bigger than the one
before. They have perfected the bridge. Add changing vocal
deliveries, improved musicianship and possibly the best
production to emerge from Dave Birch’s famous Tropical Studios (Parlotones,
Squeal, Perez), and we have the commercial rock cd of the year
(actually, the past couple of years).
In the rockier
vein, ‘Complicated Lives’ and ‘Fall Away’ possess anthem quality
whilst the fun melody of ‘Questions’ begs for a place at the top
of the charts. Guest artists can add an X quality to a song and
that clearly happens when Ou Q (from BIG IDEA) raps on the
remake of ‘The Music – A Tribute to Madiba’ and Kody Chetty
screams a guitar beautifully through ‘I’m Not Alright’. And then
there’s the big ballads, the tearful ‘Fool’ and haunting ‘The
World Was A Lie’. Both rank as amongst the best SITTER has ever
provided.
This Masquerade
Called Life is an oxymoron because this 47 minute journey is as
genuine and heartfelt as anything life has to offer.
Sunday Tribune, Sunday Magazine - 25 March 2007
"Popular Sitter heads north" - by
Colin Roopnarain
THE ALBUM
LAUNCH FOR local band, Sitter, in a marquee outside Suncoast
Casino last Friday was one of the most highly anticipated
launches this year. For weeks ahead it was all I heard people
talk about.
That's rather impressive when you consider Sitter is an indie
group with only a handful of tracks on radio and just one other
album (Based on a True Story) released, and that was two years ago.
The event was invite-only and by 9pm, one hour after the event
was set to start, every one of the 800 guests had arrived.
Brilliant news for Sitter not so great for the rest of us;
Marquee, plus hot sticky weather, plus hundreds of bodies equalled
extreme discomfort and the majority of fans decided to sit just
outside the tent.
Still the boys
put on a spectacular performance showcasing some killer new
tracks from their new album This Masquerade Called Life. The
energy generated by the group was enough to make anyone forget
about the heat, and the audience responded like love sick
groupies. If you haven't heard of Sitter, here's a quick lesson:
The four man band formed in 2003 and features Edan Latzelsberger
on bass and main vocals, Darryn Butcher on guitar and backing
vocals, Gary Wolno on guitar and Theo Claassen on drums. Their
sound is everything from pop rock to indie rock, from punk rock
to ballad. Lyrically, they
are original, creative and emotionally intense - qualities that put
them a few steps ahead of their contemporaries.
Sitter have
generated a buzz mainly from gigging in and around Durban for
the past four years, impressing audiences enough to develop a
solid fan base. The band has even been playlisted on usually rock
shy, East Coast Radio, and a host of other smaller local in house
stations, proving its accessibility.
According to Edan, the band's
name is an acronym for: Someday I'll Try to Treat Everyone Right.
A noble sentiment echoed by their website motto: "We believe that
playing music is what we are meant to do and are thoroughly
enjoying every step of this journey".
We write songs
according to what mood we are in and it is our goal to convey as
best
we can, the emotions of the song in a live performance. After
hearing them live and then listening to the album, I'd say they
definitely achieved their goal. The songs are varied and
sophisticated pieces of acoustic rock dripping with emotional
intensity. Stand out tracks include: "The Music- A tribute to
Mandela" featuring Ou Q, "The Whole World Was a Lie", "Perfection",
"Fall
Away", "Fool" and the brilliant opening track "The Inevitable
Compromise". Luckily, I'm not the only one impressed- The band is
off to Britain for a two week promotional tour where no doubt it
will knock the socks off the Brits!
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